Matt Specht’s Art Show @ Polarity Gallery - Waukesha, WI
in 1959, there was this diner. it was open and empty. it was so late, old men with dirt under their fingernails were coming in and ordering breakfast.
maybe this isn’t 1959, but it feels like 1959. it feels authentic. these old men know each other, and know the waitress. i know that if i began talking to these people, they would not like me, and i would not like them. but at this hour, none of us care. we just want eggs and bacon and coffee, so we are polite, and we squeeze our cheeks into the shapes of smiles.
i am waiting for you. killing time in places time forgot about, places with no wi-fi internet or cnn or digital anything. cash only. in pictures, everything is black and white, but right now, everything is beige and chrome and vinyl. cracked vinyl. old dirty greasy vinyl that sometimes is the exact feeling you need under the skin on the inside of your arm. which makes me think of the skin on the inside of your arm. which makes me sad that i care about the skin in the inside of your arm. sad that i know what it looks like. sad that i will never know what it tastes like. sad that i want to know what it tastes like.
how does this happen?
how do i end up here, waiting for you, knowing you would never like this place?
it’s time to go. i can’t bear to see the sun rise. i want to be asleep before the edge of the sky gets pale.
i will never step foot in here again, even though i’d very much like to.
i am fluent in this diner’s silent, wordless language. it has touched the skin on the inside of my arm; it knows me better than you.
the bell jingles on my way out.
-matt specht
** from: bending light into verse|every picture tells a story - by Jen Tomaloff
i dream in black and white, you know
i dream of trying to run in waist-deep water
i dream of punching enemies with all my strength but nothing happens
i dream of wet hidden warm places surrounded by soft skin and gratitude
i dream of the end of the world
(i have a bag of chips, my wits, and a towel
armed thusly, my dear, we are safe)
i dream of newspapers as wallpaper yellowed from the effort it took to tell me
the president is dead
and the drive-thru lady knows i’m on the floor of the front seat
and the woods are NOT lovely, dark OR deep
they are rotten
and wet
and would not burn even if you doused them in gasoline
lit a match
tossed it in
walked away and
waited for the warmth
and when i dream the dream where i fall from great heights
i wake up
wondering
if i survived
-matt specht
** from: bending light into verse|every picture tells a story - by Jen Tomaloff
Volume I of bending light into verse is now available online & as PDF
Volume I of bending light into verse is now available online at ISSUU (it’s free).
You can view the book in its entirety online or you can download the PDF version.
Please share.
(Source: bendinglightintoverse.com)
this
is what it all boils down to:
even on shitty days,
we try to go outside
but
we
can’t
it calls to mind the question:
do we
hate the rain?
or does the rain
hate us?
maybe rain has better things to do
than
get
us
wet
-matt specht
** from: bending light into verse|every picture tells a story - by Jen Tomaloff
there is a shack
in the woods
it is summer
there is preaching
it is hot
it is a saturday night
there is no dancing
but there is joy
but it is forced
and i can feel that piano’s pain
knowing there is a creek down the way
where a girl offered me her foot
and her brother said ok
and i laughed
we all laughed
and she took my picture
and wrote me a letter
and i didn’t understand it all
but i took it all in
took it at face value
let it wash over me like warm creek water that made her toes and ankles and knees look like
something out of the magazines my dad thought he had hidden under the stairs
we were kids
and we were meant to learn things
in creeks and under stairs
not in pews
and like the piano in the corner
i couldn’t wait for someone to come pay attention to me
so we could whisper secrets while no one was looking
god is just a speed bump
placed in the path of every summer weekend
i can feel that piano’s pain
-matt specht
** from: bending light into verse|every picture tells a story - by Jen Tomaloff
i should have laughed
but there was a tattoo
caught in my throat
-matt specht
** from: bending light into verse|every picture tells a story - by Jen Tomaloff
there are some things
i
will never see
and
i
am
glad for it
-matt specht
** from: bending light into verse|every picture tells a story - by Jen Tomaloff
i
am ashamed
of what we have become
** from: bending light into verse|every picture tells a story - by Jen Tomaloff
get crackin’
time to get crackin’
or was it kraken?
(looks down
at his shoes)
Krakow?
Krycek.
Russian conspiracy member?
Members only.
Pacino?
Patchouli.
bending light into verse.
GOOD NEWS!!! My new book is officially available. “Bending Light into Verse” is a collection of my photography, featuring poetry/writing from some of my favorite writers.
http://www.blurb.com/bookstore/detail/1138785
This book began as a simple photo book with an experimental side and the idea that every picture tells a story, or at least should. The experimental side entailed sending each of the writers included in this book a series of photographs, with the intent that they might write a short piece inspired in some way by each of the photos they were assigned. Every one of the writers included here gladly rose to the opportunity and far exceeded all expectations; every photograph was returned, each picture telling its story.
Contributors: Nicholas Michael Ravnikar, Ed Makowski, David Tomaloff, Matt Specht, Dana Roders, Jenny Bootle, Lisa Adamowicz Kless, and Nick Demske.